Leaders in Learning: Publications of Faculty & Staff
Visual Arts 2002-2003
Brush, K.L. 2002. Marburg, Harvard, and Purpose-Built Architecture for Art History, 1927. Art History and Its Institutions: Foundations of a Discipline. E. Mansfield. New York, U.S.A.: Routledge. 65-84.
Elliott, B.J. 2003. Deconsecrating Modernism: Allegories of Regeneration in Brooks and Picasso. The Modern Woman Revisited: Paris Between the Wars. W. Chadwick, and T. True Latimer. New Brunswick, N.J.: Rutgers University Press. 35-51.
Elliott, B.J. 2002. Housing the work: women artists, modernism and the maison d'artiste: Eileen Gray, Romaine Brooks and Gluck. Women Artists and the Decorative Arts, 1880-1930: The Gender of Ornament. B.J. Elliott, and J. Helland. Aldershot, U.K.: Ashgate. 176-191.
Elliott, B.J., and J. Helland (Editors). 2002. Women Artists and the Decorative Arts: The Gender of Ornament. Aldershot, U.K.: Ashgate. xiii, 229 pp.
Ferguson, G., B. Reeves, C. Ruschiensky, and F. Savard. 2003. Lines Painted in Early Spring. P. Mahon (Curator). Southern Alberta Art Gallery: Lethbridge, Alberta. June, 2003.
Mahon, P. 2003. Home and Away Banner Series, Group 4. Compelling Behaviours. Canadian Art Foundation, and Ernst & Young. Edward Day Gallery: Toronto, Ontario. March, 2003.
Mahon, P.L. 2003. Book of Hours. P. Bentley (Curator). Textile Museum of Canada: Toronto, Ontario. January-April, 2003.
Mahon, P.L. 2003. Home and Away (Exhibition). Leo Kamen Gallery: Toronto, Ontario. January-February, 2003.
Mahon, P.L. 2003. Sarah Nind. Canadian Art 20 (3): 148.