Faculty of Music

DMA

DMA Program Overview

The DMA program has the following objectives:

Teaching Faculty

For a list of Performance Faculty, please visit the Music Performance Studies Department Faculty page. You may also wish to explore the Music Research and Composition Faculty and Music Education Faculty pages.

Registration 
Students
will register full-time continuously for all four-years.


The Advisory Committee
Each doctoral student will have an individual Advisory Committee normally comprising three faculty members, one of whom will serve as Chair. Ordinarily, two members will be drawn from performance while the third member will be drawn from elsewhere (in most cases from the Department of Music Education or the Department of Music Research and Composition). 


The Associate Dean (Graduate Studies and Research) will meet with each incoming student, before classes begin, to discuss the student’s interests and aspirations and identify a likely Advisory Committee Chair and two other Committee members. The Chair of the Advisory Committee will be selected from faculty associated with the Department of Music Performance Studies who hold doctoral degrees.

The second member of the Advisory Committee drawn from performance normally will be the studio teacher. The third member will be from an area other than performance. If from outside Music, the non-performance committee member will be appropriately credentialed for his or her discipline and will hold core membership in a graduate program in the School of Graduate and Postdoctoral Studies.

After the initial meeting with the Associate Dean (Graduate Studies and Research) the student will meet individually with the suggested Committee members and report back to the Associate Dean, who will officially appoint the Committee. Sometime during the first term of enrollment the Chair of the Advisory Committee will convene a meeting of the student with the Advisory Committee, and together they will draw up the student’s program of study. In the initial years of the program we expect the Associate Dean (Graduate Studies and Research) will work closely with each Advisory Committee Chair on this task.

Within the context of the basic requirements of the doctoral program described above the Committee, in consultation with the student, will determine how many and what courses will be required. The Committee may require the student to complete additional courses beyond the required minimum, either for language study, or in other areas relevant to the proposed area of concentration, or simply to address deficiencies in preparation for doctoral work. The norm, however, will be sixteen graduate half courses. The Committee will also assume the primary responsibility for setting and assessing Comprehensive and Area examinations. 
The Committee will draft questions for and adjudicate the Comprehensive Examination and the Area Examination, and arrange and supervise the completion of language requirements, if applicable.



Upon the recommendation of the Advisory Committee, the Graduate Committee will formally approve the monograph proposal and the monograph Supervisor and Second Reader. The Committee will then recommend the proposal and slate of Supervisor and Second Reader to the Graduate Committee. 
The Supervisor of the monograph will be chosen from among core members of the School of Graduate and Postdoctoral Studies with Doctoral Supervisory status.

Program Requirements

Voice

  • 4-6 terms of Lessons: 9801a, 9802b, 9803a, 9804b, 9805a, 9806b
    • 6 terms being the norm
  • 4-6 terms of Vocal Coaching: 9811a, 9812b, 9813a, 9814b, 9815a, 9816b
  • 0.5 course in Vocal Pedagogy: 9821y
  • 0.5 course in Acting for Singers: 9841a
  • 1.5 Vocal Literature courses:
    • Vocal Literature: Melodie 9831b
    • Vocal Literature: Lieder 9832a
    • Vocal Literature: Oratorio 9833b or Vocal Literature: Opera 9834b
  • 1.5 music courses in areas other than performance
  • 1.0 extra course as required by committee
  • 4 Performance Events: 9851, 9852, 9853, 9854
    • Could include solo recitals, chamber music recitals, major opera roles, and lecture recitals
    • Determined in consultation with the student and DMA Advisory Committee
  • 4 Additional Milestones*:
    • Language requirement: 1-year university course or demonstrated proficiency in French, German, and Italian
    • 1 Comprehensive examination
    • 1 Area Examination
    • 1 Monograph & oral defense of monograph

Orchestral Instruments

Specialties offered in Flute, Violin, Violoncello, Double Bass, Percussion

  • 4-6 Terms of Lessons: 9801a, 9802b, 9803a, 9804b, 9805a, 9806b
    • 4 terms the norm
  • 0.5 Course in Pedagogy
    • Under the supervision of the student’s major studio instructor, may include: serving as an ensemble section coach, working with music education secondary instrument classes, observing and teaching undergraduate studio lessons, observing and directing undergraduate studio master classes
  • 0.5-1.0 Courses in Instrumental Literature, (1-2 terms, depending on instrument)
  • 0.5-1.0 Courses in Instrumental Literature, (1-2 terms, depending on instrument)
  • 0.5 Course in Performance Issues and Research: 9594b or 9595a
  • Optional Ensemble (Large or Chamber)
  • 2.5-3.5 music courses in areas other than performance
  • Any additional courses to be determined by the student’s DMA Advisory Committee, based upon the student’s interests and goals
  • 4 Performance Events: 9851, 9852, 9853, 9854
    • To include one solo recital and one lecture recital, plus two remaining performance events to be determined by the DMA Advisory Committee in consultation with the student
    • May include solo recitals, chamber music recitals, concerto performances, etc.
  • 4 Additional Milestones*:
    • Comprehensive Examination
    • Area Examination
    • Monograph
    • Oral Defense

Piano

Specialties offered in Solo Piano, Piano Pedagogy, and Collaborative Piano

  • 4-6 terms of Lessons: 9801a, 9802b, 9803a, 9804b, 9805a, 9806b
    • 4 terms the norm for Solo Piano and Piano Pedagogy; 6 terms the norm for Collaborative Piano
  • Courses in Support of Performance:

Solo Piano

  • 0.5-1.0 courses in Piano Literature
  • 0.5-1.0 courses in Chamber Music: 9566y
  • 0.5-1.0 courses in Piano Pedagogy
  • Other courses, if any, determined by the DMA Advisory Committee in advisory with the student

Piano Pedagogy

  • 0.5-1.0 courses in Piano Literature
  • 0.5-1.0 courses in Piano Pedagogy
  • 1.0 courses determined by the DMA Advisory Committee in advisory with the student

Collaborative Piano

  • 0.5 course in Collaborative Musicianship: 9506y
  • 1.0 course in Vocal Repertory: 9515
  • 0.5 course in Art of Vocal Coaching: 9567y
  • 0.5 course in Chamber Music: 9566y
  • 0.5 course in Contemporary Ensemble: 9507y
  • 0.5 course in Early Music Ensemble: 9568y
  • Other courses, if any, determined by the DMA Advisory Committee in advisory with the student
  • 2.0 music courses in areas other than performance
  • Any additional courses to be determined by the student’s DMA Advisory Committee, based upon the student’s interests and goals
  • 4 Performance Events: 9851, 9852, 9853, 9854
    • May include solo recitals, chamber music recitals, concerto performances, lecture recitals, etc.
    • To be determined by the DMA Advisory Committee in consultation with the student
  • 4 Additional Milestones*:
  • Comprehensive Examination
  • Area Examination
  • Monograph
  • Oral Defense
  • A language requirement may be required by the DMA Advisory Committee depending on the student’s performance-research interests

Conducting

Specialties offered in Choral Conducting and Instrumental Conducting

  • 4-6 terms of Lessons: 9801a, 9802b, 9803a, 9804b, 9805a, 9806b
    • 4 terms the norm
    • Choral Conductors: 2 terms of conducting lessons + 2 terms of voice lessons
    • Instrumental Conductors: 4 terms of conducting lessons
  • Courses in support of performance:
    • Choral Conductors
  • 1.0 course in Choral Conducting Seminar
  • 0.5 course in Vocal Pedagogy
  • 1.0 course in Diction
  • 0.5 course in Score Reading (common course with instrumental conductors)
  • 0.5 course in Score Analysis (common course with instrumental conductors)
  • 0.5 course to be determined by the DMA Advisory Committee in consultation with the student
  • For Instrumental Conductors
  • 2.0 courses in Instrumental Conducting Seminar
  • 0.5 course in Score Reading (common course with choral conductors)
  • course in Score Analysis (first 0.5 course common course with choral conductors)
  • Optional 0.5 course in Choral Conducting Seminar
  • 2.0-2.5 music courses in areas other than performance
  • Any additional courses to be determined by the student’s DMA Advisory Committee, based upon the student’s interests and goals
  • 4 Performance Events: 9851, 9852, 9853, 9854
    • To be determined by the DMA Advisory Committee in consultation with the student
    • All performance events must be recorded on DVD
    • May include concerts (complete or composite), lecture recitals, etc.
    • Exempli gratia: 1 complete concert of chamber works; 2 composite concerts of works performed by large ensembles; 1 lecture recital related to monograph topic
  • 4 Additional Milestones*:
    • Comprehensive Examination
    • Area Examination
    • Monograph
    • Oral Defense
    • A language requirement may be required by the DMA Advisory Committee depending on the student’s performance-research interests

*Milestones

The Comprehensive Examination
Normally the comprehensive examination will be attempted towards the end of year 2 (i.e., in the sixth term of registration). The Examination questions will be written by the student’s Advisory Committee, with all questions by all advisory committees pooled for any particular examination.3 Each examination will consist of a list of topics engaging performance informed by music history and music theory, from which the student shall choose two. The student will then write a research paper of approximately 20 pages on each topic chosen, submitting the papers to the DMA Advisory Committee 3 weeks after commencing the examination. The DMA Advisory Committee will read the papers in a timely fashion, meet to adjudicate them, and convey the results to the student.

If a student fails the Comprehensive Examination there will be one opportunity to reattempt it. In such cases the student will be required to wait at least one term, to provide time to address any deficiencies revealed in the failed attempt. A new examination will then be written by the Advisory Committee and administered to the student.

Language requirement
This optional milestone, if required, should be completed by the end of year 2. While there is no set language requirement for the program, students must demonstrate proficiency in any foreign languages required for their work. The student’s DMA Advisory Committee will determine language requirements, if any, in consultation with the student, will specify how proficiency is to be demonstrated, and will advise the Associate Dean (Graduate Studies and Research) when such requirements are complete. The Associate Dean (Graduate Studies and Research) will assist as needed with preparation and adjudication of language examinations.

Area Examination
The Area Examination serves the purpose of determining whether the proposed monograph topic is viable, the student is prepared to undertake it, and the necessary resources (including supervision) are available. The examination is conducted by the DMA Advisory Committee, and successful completion of this milestone means the latter approves the topic and supervisory panel, and recommends them to the Graduate Committee for approval. Normally this milestone will be completed by the end of year 3.

Monograph, and Oral Defense
The Monograph will be an extended research paper on a topic appropriate to the student’s Field. In form it will meet the standard of a thesis or dissertation. In content it will aspire to the standard of a thesis; that is, it need not make a substantial original contribution to knowledge in the field (although certainly it could), but at the least it should contribute something of readily discernible significance to the field, and it should be of publishable quality. The Oral Defense will be conducted according to SGPS regulations and guidelines. This milestone will occur at the end of the student’s program and will mark completion of all degree requirements.