Dr. Jessica Grahn
is an Assistant Professor in the Department of Psychology at Western
University. Dr. Grahn has established
herself as an emerging leader in the field of the neuroscience of music which
combines her unique background as a classically trained concert pianist and her
training as a neuroscientist.
Dr. Grahn’s work stems from her
interest in why we move to rhythm, and how movement and rhythm may be connected
in the brain. She conducts brain scanning studies examining how different motor areas in
the brain respond to musical rhythm. Dr. Grahn is also interested in how rhythm
and music may be processed in the brains of those who have dysfunction in the
brain areas that control movement, as happens in Parkinson's disease.
Finally, she is intrigued why individuals vary greatly in rhythmic ability, and
she is conducting behavioural and brain scanning studies to examine why there
is such a striking range in the healthy human population. A recent study by Dr. Grahn (Grahn
& Brett, 2009) found that
Parkinson’s disease patients have subtle deficits in beat perception. That is, they
have problems finding the regular, steady pulse that we tap our foot to when we
hear a rhythm. The details of this investigation are below. Rhythms from a previous study (Grahn
& Brett, 2007) were used (see Figure
1). The metric simple rhythms (Listen to an example here - Example 1 ) are easier for most people to
remember, because people feel a beat when they listen to them. The metric
complex rhythms (Listen to an example here -Example 2 ) are similar, but
don’t give a strong feeling of a beat, so people tend to do worse in
remembering these rhythms.
Fig. 1- Schematic example of the two
types of rhythmic sequence stimuli used. Numbers denote relative length of
intervals in each sequence. 1 = 220-270 msec (value chosen at random on each
trial), in steps of 10 msec. During the investigation, Parkinson’s
disease patients and healthy volunteers listened to 3 presentations of a
rhythm. They indicated if the third presentation was the same as or different
from the first two presentations.
Dr. Grahn found that, compared to
healthy volunteers, Parkinson’s patients had problems with beat perception.
They were worse than control volunteers in detecting changes in the rhythms
with a regular beat: the metric simple condition. This is shown on the left
hand side of Figure 2: the pink bar is much lower than the blue bar. However, for rhythms without a beat (the
metric complex rhythms), Parkinson’s patients’ performance was similar to
healthy volunteers. This is shown on the right side of Figure 2. The pink bar
is a little bit lower than the blue bar, but this was not significant: overall,
Parkinson’s patients performed similarly to volunteers. This means that the
Parkinson’s patients’ worse performance with metric simple rhythms cannot be because
of a general problem at doing the task--their problem is specific to rhythms
that have a beat. Fig. 2. Accuracy for patients and healthy
volunteers on beat-based (metric simple) and non-beat-based (metric complex) rhythms.
Patients are worse at detecting changes in beat-based rhythms, suggesting a
problem in beat perception. ns = not significantly different. *** = significantly
different. Dr.
Grahn and her lab are currently investigating the exciting prospect that music may
have therapeutic benefits for patients with Parkinson’s disease. As the disease progresses in Parkinson’s
patients, it becomes increasingly difficult for them to initiate movement. Music may stimulate the basal ganglia, making
it easier for them to initiate movement (see video below).
ReferencesFeatured Research








