Illustrations


 

“A Grist Mill,” illustration by C.W Jefferys. In C.W Jefferys, The Picture Gallery of Canadian History (Toronto: Ryerson Press, 1945) (183).

“Clearing Land, about 1830,” illustration by C.W Jefferys. In C.W Jefferys, The Picture Gallery of Canadian History (Toronto: Ryerson Press, 1945) (221). 

“Early Churches in Upper Canada,” illustration by C.W Jefferys. In C.W Jefferys, The Picture Gallery of Canadian History (Toronto: Ryerson Press, 1945) (75).

“Plan of Water Grist Mill 1 1795.” In C.W Jefferys, The Picture Gallery of Canadian History (Toronto: Ryerson Press, 1945) (81).

“Plan of Water Grist Mill 2 1795.” In C.W Jefferys, The Picture Gallery of Canadian History (Toronto: Ryerson Press, 1945) (82).

“Elevations of Water Grist Mill.” In C.W Jefferys, The Picture Gallery of Canadian History (Toronto: Ryerson Press, 1945) (83).

“Grist Mill Mechanism,” illustration by C.W Jefferys. In C.W Jefferys, The Picture Gallery of Canadian History (Toronto: Ryerson Press, 1945) (84).

“Interior of Grist Mill, showing Crane for Lifting Upper Stone,” illustration by C.W Jefferys. In C.W Jefferys, The Picture Gallery of Canadian History (Toronto: Ryerson Press, 1945) (85).

“Image of Acadia,” In Roméo Cormier, photographer, Image of Acadia (Toronto: Oxford University Press, 1980) (frontis.).

“Dr. David Hellyer's Beach Cabin.” Leisure Time Homes of Fir Ply Wood, 1958. In Chad Randl A-Frame. (New York: Princeton Architectural, 2004) (89).

“Potlatch Products in Free-Time Homes.” Advertisement in Free-Time Homes, 1962. In Chad Randl A-Frame. (New York: Princeton Architectural, 2004) (97).

“Free-Time Homes.” Cover of Free-Time Homes, 1962. In Chad Randl A-Frame. (New York: Princeton Architectural, 2004) (95).

“The Most Popular A-frame in U.S.A.” Advertisement in Free-Time Homes, 1962. In Chad Randl A-Frame. (New York: Princeton Architectural, 2004) (96).

“Painting the suspender ropes, 1947,” photograph courtesy of the Detroit News, Burton Historical Collection of the Detroit Public Library. In Philip P. Mason, The Ambassador Bridge (Detroit: Wayne State UP, 1987) (163).

“Arctic Science (or Igloolik) Research Centre in Igloolik, Nunavut.” Photographer unidentified.

“Head Office Building, Montreal, Exterior View.” In The Bank of Montreal, The Centenary of the Bank of Montreal, 1817-1917 (Montreal: The Bank of Montreal, 1917) (frontis.).

“Villa in the Italian Style,” (Figure 119), illustration from Andrew Jackson Downing, The Architecture of Country Houses (1850) (facing page 285).

“Pioneer,” photograph by Jack Cash. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (120).

“D. Simpson Residence,” photograph by Graham Warrington. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (125).

“Bobak Residence,” photograph by Graham Warrington. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (125).

“Friedman Residence,” photograph by Selwyn Pullan. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (125).

“McNab Residence,” photograph by Selwyn Pullan. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (126).

“Apartments near Stanley Park,” photograph by Graham Warrington. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (126).

“R. Nairne Residence,” photograph by Jack Cash. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (126).

“Cromie Pool,” photograph by Selwyn Pullan. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (127).

“Umbrella,” photograph by Graham Warrington. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (127).

“Westminster Abbey, Mission, B.C.,” photograph by Selwyn Pullan. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (128).

“Westminster Abbey, Mission, B.C.,” photograph by Selwyn Pullan. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (128).

“B.C. Electric, Vancouver,” photograph by Graham Warrington. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (121).

“Highlands United Church,” photograph by Graham Warrington. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (128).

“Totems,” photograph courtesy of the Department of Education, Government of B.C. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (129).

“Mission Church,” photograph by Graham Warrington. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (130).

“Sacred Heart Church,” photograph by Graham Warrington. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (130).

“Kerrisdale Roman Catholic Church,” photograph by Selwyn Pullan. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (130).

“Mission Church,” photograph by Graham Warrington. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (131).

“Highlands United Church,” photograph by Graham Warrington. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (131).

“Oak Street Bridge,” photograph by Graham Warrington. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (132).

“B.C. Sugar Refinery Bulk and Storage Warehouse No.1,” photograph by Jack Cash. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (131).

“P.G.E. Station, North Vancouver,” photograph by Graham Warrington. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (132).

“Neighborhood Housing, Kitimat,” photograph by Graham Warrington. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (122).

“Factory Buildings, Annacis Island,” photograph by Graham Warrington. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (132).

“Annacis Island Restaurant,” photograph by Graham Warrington. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (132).

“Nelson’s Drive-In Laundry,” photograph by Graham Warrington. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (133).

“Supply Building, H.M.C.S. Naden,” photograph courtesy of the Department of National Defence. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (133).

“C.P.A. Hangar, Vancouver,” photograph courtesy of Canadian Pacific Airlines. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (133).

“Vancouver Skyline,” photograph by Graham Warrington. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (134).

“B.C. Electric Building, Vancouver,” photograph by Graham Warrington. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (135).

“Burrard Building,” photograph by Graham Warrington. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (136).

“Burrard Building,” photograph by Graham Warrington. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (137).

“Civic Centre, Kitimat,” photograph by Graham Warrington. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (122).

“Marwell Building,” photograph by Graham Warrington. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (136).

“Lovick Building,” photograph by Graham Warrington. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (137).

“National Trust Building,” photograph by Graham Warrington. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (137).

“B.C. Electric Building, Victoria,” photograph by Graham Warrington. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (138).

“Bank of Nova Scotia,” photograph by Graham Warrington. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (138).

“Office Building for Gardiner, Thornton, Gathe & Associates,” photograph by Selwyn Pullan. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (139).

“Health & Welfare Building,” photograph by Graham Warrington. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (139).

“View Royal Elementary School,” photograph by Duncan MacPhail. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (140).

“Cedarvale Elementary School,” photograph by Graham Warrington. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (140).

“Wescott School,” photo uncredited. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (140).

“Civic Centre, Kitimat,” photograph by Graham Warrington. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (122).

“Vancouver Public Library,” photograph by Graham Warrington. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (141).

“Vancouver Lawn Tennis and Badminton Club,” photograph by Graham Warrington. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (143).

“Empire Stadium,” photograph by Selwyn Pullan. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (143).

“Vancouver Public Aquarium,” photograph by E.M. Allen. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (143).

“U.B.C. Memorial Gymnasium,” photograph by Jack Cash. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (142).

“Log Cabin,” photograph by Graham Warrington. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (144).

“B.C. Electric Building, Vancouver,” photograph by Graham Warrington. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (144).

“Thunderbird and Whale,” photograph courtesy of the Department of Education, Government of B.C. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (144).

“School in Chilliwack, B.C.,” photograph by Graham Warrington. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (145).

“CKWX Radio Station,” photograph by Graham Warrington. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (145).

“Kwakiutl Indian Village,” photograph courtesy of the Department of Education, Government of B.C. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (123).

“Mercantile Bank,” photograph by Graham Warrington. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (145).

“Wall Mural,” photograph by Graham Warrington. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (145).

“Stanley Park Penguin Pool,” photograph by Graham Warrington. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (146).

“Interior British Columbia,” photograph uncredited. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (147).

“J. Shadbolt Residence,” photograph by Selwyn Pullan. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (124).

“Zolton S. Kiss Residence,” photograph by Selwyn Pullan. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (124).

“Wong House,” photograph by Graham Warrington. In Earle Birney, “Photostory,” from the British Columbia Centennial issue of the Royal Architectural Institute of Canada Journal 35.4 (1958) (124).

“Here at the foot of Toronto's CN Tower, team members contemplate with awe, the magnitude of the experiment they are about to conduct,” photograph by Marilyn Westlake. In Michael Dean and Steven Smith, Science Takes Leap from Top of CN Tower: The Back-of-Own-Head Experiment (Toronto: L'Affaire Pataphysique, 1985) (6).

“The Magic Moment! The SASER unveiled!” photograph by Marilyn Westlake. In Michael Dean and Steven Smith, Science Takes Leap from Top of CN Tower: The Back-of-Own-Head Experiment (Toronto: L’Affaire Pataphysique, 1985) (7).

“Posing for Posterity, the team focuses emotional support on DEAN and SASER in tense moments immediately preceding experiment. The power of the moment seems lost on FORTESQUE,” photograph by Marilyn Westlake. In Michael Dean and Steven Smith, Science Takes Leap from Top of CN Tower: The Back-of-Own-Head Experiment (Toronto: L’Affaire Pataphysique, 1985) (8).

“Photo-simulation of image seen by DEAN through SASER,” photograph by Marilyn Westlake. In Michael Dean and Steven Smith, Science Takes Leap from Top of CN Tower: The Back-of-Own-Head Experiment (Toronto: L’Affaire Pataphysique, 1985) (9).

“Dean Collapses in Exhaustion,” photograph by Marilyn Westlake. In Michael Dean and Steven Smith, Science Takes Leap from Top of CN Tower: The Back-of-Own-Head Experiment (Toronto: L’Affaire Pataphysique, 1985) (9).

“The Bishop's House with the Ruins, Quebec, 1759,” engravings by R. Short. In F. St. George Spendlove, The Face of Early Canada: Pictures of Canada which have Helped to Make History. (Toronto: Ryerson Press, 1958), plate 13.

“The Britannia Bridge over the Menai Straits.” From C. Tomlinson, ed., Cyclopaedia of Useful Arts (London, 1868), 1: 242. In Nathan Rosenberg and Walter G. Vincenti, The Britannia Bridge (Cambridge: The MIT Press, 1978) (10).

“S.E. View of ‘Brock's Monument’ on Queenston Heights as it appeared May 9th: A.D. 1841.” In Robert Malcomson, Burying General Brock: A History of Brock's Monuments. (Canada: Peninsula Press, 1996) (21).

“Untitled.” In F. B. Tupper, ed., Family Records; containing Memoirs of Major-General Sir Isaac Brock, &c., &c., &c. (London: Stephen Barbet, 1835) (frontis.).

“Untitled.” In K. McCabe ed., The Poetry of Old Niagara. (St. Catharines: Blarney Stone Books, 1999) (16).

“Brock’s Monument. Queenston Heights,” sketch by J.F. Bouchette. In Joseph Bouchette The British Dominions in North America. (London: H. Colburn and R. Bentley, 1831) (61).

“Untitled.” In Robert Malcolmson, Burying General Brock: A History of Brock's Monuments (Canada: Peninsula Press, 1996) (49).

“Sir Robert Taylor’s Rotunda, when used as a Stock Exchange. From a drawing by Thomas Rowlandson.” In John Giuseppi, The Bank of England (London: Evans Brothers, 1966).

“‘The beautiful and stately structure fulfills the fondest hope ...,” courtesy of the Museum of the City of New York. In David McCullough, The Great Bridge (New York: Simon and Schuster, 1972) (433).

“Le Château s’élève graduellement.” In Jacques Lamarche, Au coeur de la Petite-Nation: Le Château Montebello (Ottawa: Les Éditions de la Petite-Nation, 1984) (101).

Clarence Decatur Howe - Minister of Transport (1936) and Minister of Munitions and Supply (1940),” photograph created by Fayer. From the Library and National Archives of Canada (1942) (np).

“View of Cape Diamond, from Wolfe’s Cove, near Quebec,” engraving by Isaac Weld. In Isaac Weld, Travels through the States of North America. (1808) (New York: Johnson Reprint, 1968) (1:347).

“Château Frontenac, 1893,” courtesy of the Canadian Pacific Railway Co. In Joan E. Morgan, Castle of Quebec (Toronto: J.M. Dent & Sons, 1949) (np).

“Le Château Montebello.” In Jacques Lamarche, Au coeur de la Petite-Nation: Le Château Montebello (Ottawa: Les Éditions de la Petite-Nation, 1984) (cover).

“View from North East.” In Philip J. Turner, “Christ Church Cathedral, Montreal,” from McGill University Publications on Art and Architecture Series 13. 17 (Montreal: McGill UP, 1927) (5).

“CN Tower.” In Ontario, Industry, Trade, Tourism Review 1973-1976 (Ontario: Ministry of Industry and Tourism. Communications Division, 1977) (73).

“The Colosseum.” In Ada Gabucci, Ancient Rome: Art, architecture and history, eds. Stefano Peccatori and Stefano Zuffi, trans. T.M. Hartmann (2000) (Los Angeles: Getty, 2002) (42).

“Fifteen Years in the Bush,” illustration by J.C. McLagan. In John Macoun, Manitoba and the Great North-west: the Field for Investment; the Home of the Emigrant, being a Full and Complete History of the Country (Guelph: World Publishing Company, 1882) (182).

“First Year in the Bush,” illustration by J.C. McLagan. In John Macoun, Manitoba and the Great North-west: the Field for Investment; the Home of the Emigrant, being a Full and Complete History of the Country (Guelph: World Publishing Company, 1882) (48).

“Fort George,” illustration by John Burniak. In K. McCabe, ed., The Poetry of Old Niagara (St. Catharines: Blarney Stone Press, 1996) (27).

“Attack on Fort Henry.” In Harper's Weekly (1862) (np).

“Aerial View of Fort Henry (taken from an aeroplane).” From Bishop Barker Co., Library and National Archives Canada (1919) (np).

“Fort Mississauga, Niagara-on-the-Lake,” illustration by John Burniak. In K. McCabe, ed., The Poetry of Old Niagara (St. Catharines: Blarney Stone Books, 1999) (36).

“Fort Niagara from Fort George,” illustration by B.J. Lossing. In C.W. Jefferys, The Picture Gallery of Canadian History Vol. 2 (1763-1830) (Toronto: Ryerson Press, 1945) (160).

“La Porte Hope, (Démolie en 1873.).” In J.M. LeMoine, Histoire des fortifications et des rues de Québec (Québec: Canadien, 1875).

“La Porte Saint-Louis, (Démolie en août 1871.).” In J.M. LeMoine, Histoire des fortifications et des rues de Québec (Québec: Canadien, 1875) (12).

“On the Road to Sillery,” artist L.R. O'Brien; engravings by T.L. Smart. In George Monro Grant, ed., Picturesque Canada; the Country as It Was and Is (Toronto: James Clarke, 1883) (60).

“Aerial Drawing of Brantford showing the Brantford Canal in 1875.” In Bruce Emerson Hill, The Grand River Navigation Company (Brantford: Brant Historical Publications, 1994).

“Typical London District Homestead,” courtesy of the Ontario Archives. In Brian Dawe, “Old Oxford is WIDE AWAKE!” (Lindsay: John Deyell, 1980) (25).

“The Infirmary Wing from the Garden,” photograph by Ramsay Traquair. In Ramsay Traquair and G.A. Neilson, “The Architecture of the Hôpital Général, Quebec,” from McGill University Publications on Art and Architecture Series 13. 31 (Montreal: McGill UP, 1931) (5).

“Situation de l’ Hôpital-Général par Rapport à Québec.” In Micheline D’Allaire, L’Hôpital-Général de Québec, 1692-1764 (Montreal: Fides, 1971) (46).

“Jesuits’ College and Church, Quebec, 1759,” engraving by R. Short. In F. St. George Spendlove, The Face of Early Canada (Toronto: The Ryerson Press, 1958) (np).

“King and St. Laurent.” In H. Reginald Hardy, Mackenzie King of Canada (Toronto: Oxford University Press, 1949) (np).

“General Brock's Monument, above Kingston,” engraving from drawing by W.H. Bartlett in N.P. Willis, Canadian Scenery Illustrated (London: James S. Virtue, 1842) (facing 1:61). (Courtesy of Special Collections, D.B. Weldon Library, University of Western Ontario.)

“A Laborer’s Cottage,” (Figure 5), illustration from Andrew Jackson Downing, The Architecture of Country Houses (1850) (facing page 73).

“Sunset on Lake Ontario.” In K. McCabe ed., The Poetry of Old Niagara (St. Catharines: Blarney Stone Books, 1999) (76).

Building on the site chosen for the Catholic Cathedral,” illustrated by J.R. Seavey. In Mrs. Dick-Lauder et al., Pen and Pencil Sketches of Wentworth Landmarks (Hamilton: The Spectator, 1897) (122).

Graves of Henry Lamb, his wife and his brother Major Lamb,” illustrated by J.R. Seavey. In Mrs. Dick-Lauder et al., Pen and Pencil Sketches of Wentworth Landmarks (Hamilton: The Spectator, 1897) (120).

“The Lamb Homestead,” illustrated by J.R. Seavey. In Mrs. Dick-Lauder et al., Pen and Pencil Sketches of Wentworth Landmarks (Hamilton: The Spectator, 1897) (119).

“Log House Construction,” illustration by C.W Jefferys. In C.W Jefferys, The Picture Gallery of Canadian History (Toronto: Ryerson Press, 1945) (30).

“Harry McCreath's Log House.” In Gavin Hamilton Green, The Old Log House: Bygone Days in Our Villages. Goderich: Signal-Star Press,1948) (16).

“London District Court House, London, as originally designed in 1827 by John Ewart,” photograph by John Kyle O’Connor, 1875. In Nancy Z. Tausky and Lynne D. DiStefano, Victorian Architecture in London and Southwestern Ontario: Symbols of Aspiration (Toronto: U of Toronto P, 1986) (28).

“Sir Guy Carleton in His Middle Years,” engraving by Alexander Hay Richie. In Paul David Nelson, General Sir Guy Carleton, Lord Dorchester: Soldier-Statesman of Early British Canada (London: Associated UP, 2000) (132).

“Falls of Lorette,” artist: L.R. O’Brien; engraving by T. Johnson. In George Monro Grant, ed., Picturesque Canada; the Country as It Was and Is (Toronto: James Clarke, 1883) (90).

“Louisburg,” artist: Schell & Hogan; engravings by H. Miller. In George Monro Grant, ed., Picturesque Canada; the Country as It Was and Is. 2 vols. (Toronto: James Clarke, 1883) (850).

“Lumbermen’s Camp,” artist: Schell & Hogan; engraving by J.T. Speer. In George Monro Grant, ed., Picturesque Canada; the Country as It Was and Is (Toronto: James Clarke, 1883) (152).

“Map of Ameliasburg Township,” lithograph by Gorrell Craig and Co. Proprs. In H. Belden & Co. Illustrated Historical Atlas of the Counties of Hastings and Prince Edward Ontario. (Toronto: H. Belden & Co., 1878) (36-37).

“A New Map of North America, From the Latest Discoveries.” In Jonathan Carver, Travels Through the Interior Parts of North-America, in the Years 1766, 1767, and 1768. (1778) (Toronto: Coles, 1974) (np).

“William H. Merritt 1793-1862.” From the Thomas Charles Collection, Library and National Archives of Canada. (Accession: 1957).

“Mill Dam and Saw Mill,” sketches by P.Harry, W.P Kay and E.N. Kendall, lithographs by S. Russell. In C.W Jefferys, The Picture Gallery of Canadian History (Toronto: Ryerson Press, 1945) (185).

“Montebello—Home of Papineau,” artist: Schell & Hogan; engraving by R.E.E. Kunze. In George Monro Grant, ed., Picturesque Canada; the Country as It Was and Is (Toronto: James Clarke, 1883) (161).

“Niagara Falls from the American Side,” from a lithograph of a sketch by J. Milbert, 1818. In Charles Mason Dow, Anthology and Bibliography of Niagara Falls, Vol. 2 (New York: J.B. Lyon Company, 1921) (390).

“General View of Niagara from the Canadian Side,” from a lithograph of a sketch by J. Milbert, 1818. In Charles Mason Dow, Anthology and Bibliography of Niagara Falls, Vol. 2 (New York: J.B. Lyon Company, 1921) (450).

“Niagara River from Queenston Heights,” artist: T. Morgan; engraving by J.T. Speer. In George Monro Grant, ed., Picturesque Canada; the Country as It Was and Is (Toronto: James Clarke, 1883) (372).

“Lock No. 1, New Welland Canal,” artist: Schell & Hogan; engravings by T.L. Smart. In George Monro Grant, ed., Picturesque Canada; the Country as It Was and Is (Toronto: James Clarke, 1883) (385).

“Cataract of Niagara,” painted by Richard Wilson; engraving by William Byrne. From a drawing taken on the spot by Lt. Pierie of the Royal Artillery, 1678. In Charles Mason Dow, Anthology and Bibliography of Niagara Falls (Albany: J.B. Lyon, 1921) (1:181).

“An Eye Sketch of the Falls of Niagara,” engraving by Isaac Weld. In Isaac Weld, Travels through the States of North America. (1808) (New York: Johnson Reprint, 1968) (2: 119).

“View of the Old Suspension Bridge above the Whirlpool Rapids.” In Charles Mason Dow, Anthology and Bibliography of Niagara Falls (Albany: J.B. Lyon, 1921) (2: 750).

“Old Gates of Quebec,” sketches by A.J. Russell, drawings on stone by Sproule, lithographs by Bourne. In C.W Jefferys, The Picture Gallery of Canadian History (Toronto: Ryerson Press, 1945) (96-97).

“Western Block, Departmental Buildings,” artist: C.E.H. Bonwill; engraving by J.R. Geraty. In George Monro Grant, ed., Picturesque Canada; the Country as It Was and Is (Toronto: James Clarke, 1883) (180).

“Main Buildings, Houses of Parliament,” artist: Schell & Hogan; engraving by C. Schawrzburger. In George Monro Grant, ed., Picturesque Canada; the Country as It Was and Is (Toronto: James Clarke, 1883) (183).

“Le Parthénon,” photograph courtesy of Editions Albert Morancé. In Gustave Fougères, L’Acropole d’Athènes; Le Parthénon (Paris: Éditions A. Morancé, c.1910) (1: np).

“Meeting at the Center of the Bridge for Dedication Ceremonies.” In A.W. Spear, The Peace Bridge 1927-1977 (Buffalo: The Buffalo and Fort Erie Public Bridge Authority, 1977) (48).

“Lester B. Pearson- Prime Minister of Canada (1963-1968),” photograph by Ashley-Crippen Studio. From the Library and National Archives of Canada. (1965) (np).

“La Place des Arts.” In Laurent Duval, coordinateur, Place des Arts (Montréal: Librairie Beauchemin, 1970) (frontis.).

“Off Port Dalhousie,” artist: Schell & Hogan; engravings by H. Baker. In George Monro Grant, ed., Picturesque Canada; the Country as It Was and Is (Toronto: James Clarke, 1883) (384).

“Photograph of the Phoenix Company’s bridge taken August 28, 1907, showing condition of the structure just previous to its failure.” In The St. Lawrence Bridge Company, The Quebec bridge: carrying the transcontinental line of the Canadian government railways over the St. Lawrence River near the city of Quebec, Canada (Quebec: s.n., 1918) (18).

“Completed Bridge from Chaudiere Wharf.” In The St. Lawrence Bridge Company, The Quebec bridge: carrying the transcontinental line of the Canadian government railways over the St. Lawrence River near the city of Quebec, Canada (Quebec: s.n., 1918) (103).

“Queenston,” engravings by W.H. Bartlett. In F. St. George Spendlove, The Face of Early Canada (Toronto: The Ryerson Press, 1958) (plate 82).

“Roblin's Mills, Ontario,” photograph by Bob Waller. In Al Purdy, In Search of Owen Roblin. (Toronto: McClelland and Stewart, 1974) (24).

“Owen Roblin's Tombstone,” photograph by Bob Waller. In Al Purdy In Search of Owen Roblin. (Toronto: McClelland and Stewart, 1974) (31).

“La fondation du Seigniory Club.” In Jacques Lamarche, Au coeur de la Petite-Nation: Le Château Montebello (Ottawa: Les Éditions de la Petite-Nation, 1984) (87).

“Perspective Elevation of Saw Mill.” In C.W Jefferys, The Picture Gallery of Canadian History (Toronto: Ryerson Press, 1945) (80).

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“Typical Log Shanty.” In Clifford B. Theberge, Elaine Theberge, ed., At the Edge of the Shield: A History of Smith Township 1818-1980 (Peterborough: Smith Township Historical Committee, 1982) (106).

“Six Years After Settlement on the Prairie,” illustration by J.C. McLagan. In John Macoun, Manitoba and the Great North-west: the Field for Investment; the Home of the Emigrant, being a Full and Complete History of the Country (Guelph: World Publishing Company, 1882) (212).

“On River Speed,” artist: F.B Schell; engraving by W. Mollier. In George Monro Grant, ed., Picturesque Canada; the Country as It Was and Is (Toronto: James Clarke, 1883) (469).

“Indians and Squaws of Lower Canada,” illustration by C. Krieghoff. In F. St. George Spendlove, The Face of Early Canada (Toronto: The Ryerson Press, 1958) (plate 109).

“Isle Aux Coudres, and the St. Lawrence, From Les Eboulements,” artist: L. R. O'Brien; engravings by R. Varley. In George Monro Grant, ed., Picturesque Canada; the Country as It Was and Is. 2 vols. (Toronto: James Clarke, 1883) (384).

“St. Roch's Suburbs and Old Arsenal,” artist L.R. O'Brien; engravings by A. Hayman. In George Monro Grant, ed., Picturesque Canada; the Country as It Was and Is (Toronto: James Clarke, 1883) (17).

“Colonel Talbot’s Residence, Port Talbot, from an old painting in possession of Mrs. Macbeth.” In C.O. Ermatinger, The Talbot Regime (St. Thomas: The Municipal World, 1904) (34).

“Thirty Years in the Bush,” illustration by J.C. McLagan. In John Macoun, Manitoba and the Great North-west: the Field for Investment; the Home of the Emigrant, being a Full and Complete History of the Country (Guelph: World Publishing Company, 1882) (211).

“Three Years After Settlement on the Prairie,” illustration by J.C. McLagan. In John Macoun, Manitoba and the Great North-west: the Field for Investment; the Home of the Emigrant, being a Full and Complete History of the Country (Guelph: World Publishing Company, 1882) (180).

“The celebrations at Brock's Monument drew crowds of people who marvelled at William Thomas' magnificent structure.” In Robert Malcomson, Burying General Brock: A History of Brock's Monuments. (Canada: Peninsula Press, 1996) (41).

“Looking Towards Lake Ontario, from the Heights Near Queenston,” artist: L.R. O’Brien; engraving by A. Lockhardt. In George Monro Grant, ed., Picturesque Canada; the Country as It Was and Is (Toronto: James Clarke, 1883) (394).

“Two Years After Settlement on the Prairie,” illustration by J.C. McLagan. In John Macoun, Manitoba and the Great North-west: the Field for Investment; the Home of the Emigrant, being a Full and Complete History of the Country (Guelph: World Publishing Company, 1882) (48).

“Upper Canada College, Toronto, U.C., 1835,” engraving by Young and Currier. In F. St. George Spendlove, The Face of Early Canada (Toronto: The Ryerson Press, 1958) (np).

“In the Gardens of the Ursuline Convent,” artist: F.B. Schell; engraving by A. Hayman. In George Monro Grant, ed., Picturesque Canada; the Country as It Was and Is (Toronto: James Clarke, 1883) (14).

“The Orphans’ or Urseline Nunnery, Quebec, 1759,” engraving by R. Short. In F. St. George Spendlove, The Face of Early Canada (Toronto: The Ryerson Press, 1958) (np).

“A Plan of the City of Quebec.” In Isaac Weld, Travels through the States of North America, Vol. I (1807) (New York: Johnson Reprint, 1968) (343).

“Overlooking North Channel, From Grand Battery and Laval University,” artist: T. Moran; engraving by W.H. Redding. In George Monro Grant, ed., Picturesque Canada; the Country as It Was and Is (Toronto: James Clarke, 1883) (26).

“Entrance to Welland Canal—Port Colborne,” artist: Schell & Hogan; engraving by F. Geyer. In George Monro Grant, ed., Picturesque Canada; the Country as It Was and Is (Toronto: James Clarke, 1883) (382).

“Main St. Bridge, Welland, Welland Ship Canal, Canada.” In K. McCabe ed., The Poetry of Old Niagara (St. Catharines: Blarney Stone Books, 1999) (114).

“Residence of Colonel Light,” courtesy of the Ontario Archives. In Brian Dawe, “Old Oxford is WIDE AWAKE!” (Lindsay: John Deyell, 1980) (49).

“Toronto Model ,” by Dereck Revington. December 14, 2004.

“Indian wigwam in Lower Canada,” illustration by C. Krieghoff. In F. St. George Spendlove, The Face of Early Canada (Toronto: The Ryerson Press, 1958) (plate 110).

Al Purdy http://www.whitbys.bc.ca/htm/abtprdy.htm

Waterfront http://www.tourismprincerupert.com/images/waterfront.jpg

“Burning of the Market-House 1865” http://www.geocities.com/kingstonmarket/dir1865burn.html

“Holy Trinity Anglican Cathedral” http://www.a-zoftourism.com/Historical+Buildings-in-Quebec-id8754-p0.htm

“Pantheon” http://www.greatbuildings.com/cgi-bin/gbi.cgi/Pantheon.html/cid_1349932.gbi

“Bonsecours Market” http://www.marchebonsecours.qc.ca/hist/eng/hist1.htm

“Burning of the Parliament buildings, Montreal in 1849” http://www.canadiana.org/citm/imagepopups/c073717_e.html

“Parliament Buildings” http://fc.lbpsb.qc.ca/~history/p2parlia.gif

“Victoria Bridge” http://web.ulib.csuohio.edu/watson/albums/bridge641.jpg

“Old seminary of Saint-Sulpice adjoining to the Notre-Dame de Montréal Basilica Residence of the Sulpicians since 1687” http://www.sulpc.org/hist_e.html

“Commercial Bank of Scotland” http://www.glasgowguide.co.uk/gpages/glasgow-bank2z.htm

“Maisonneuve monument” http://collections.ic.gc.ca/montreal/d235.html

“Montreal Court House” http://www.airynothing.com/photos/montreal/pics/om_courthouse.jpg

“One end of Bonsecours Market and Rasco’s Hotel” http://www.vieux.montreal.qc.ca/histoire/images/00_p20a.jpg

“Quebec Expo 67” http://expo67.ncf.ca/expo_quebec_67_p2.html

“Quebec Expo 67” http://expo67.ncf.ca/expo_quebec_67_p3.html

“Nathan Phillips Square” http://www.city.toronto.on.ca/city_hall_tour/nps.htm

“Modern King's Highway 401 Sign” http://www.thekingshighway.ca/Hwy401.htm

“Toronto City Hall” http://www.city.toronto.on.ca/ourcity/cityhall.htm

“Archer” http://www.city.toronto.on.ca/toronto_history/images/archer.jpg

“Kensington Market” http://www.boldts.net/Tor4.shtml

“Dominion Square http://collections.ic.gc.ca/montreal/img/d258.jpg

“Windsor Hotel” http://collections.ic.gc.ca/montreal/img/d283.jpg

“Martinique Hotel” http://home.nyc.gov/html/lpc/html/designation/summaries/martinique_large.html

“Union Bridge” http://aix1.uottawa.ca/~weinberg/bridges.html

“Rideau Canal” http://collections.ic.gc.ca/bytown/virtual_tour/engineering2.htm

“Broadway Bridge” http://www.tourismsaskatoon.com/gallery/images/40.JPG

“Bloor Street Viaduct” http://www.city.toronto.on.ca/archives/images/sc_231_40_large.jpg
http://www.city.toronto.on.ca/archives/images/rg_8_10-841_large.jpg

“Edinburgh New Town” http://www.aboutscotland.com/edin/newtownph/charlotte.jpeg

“The White City” http://www.flaglermuseum.us/images/expoBIG.jpg
http://www.lib.niu.edu/ipo/ii9511212.jpg

“Opera House and surrounding area of Haussmann's Paris” http://www.roland-collection.com/rolandcollection/section/30/402.htm

“Notre Dame Cathedral” http://collections.ic.gc.ca/relig/ndamq/ndamqe03.htm

“Fortifications of Québec National Historic Site of Canada”
http://canadaonline.about.com/gi/dynamic/offsite.htm?site=http%3A//www.parkscanada.gc.ca/lhn-nhs/qc/fortifications/index_E.asp

“Essex County Court House, Sandwich” http://www.countyofessex.on.ca/history_early3.html

“Toronto Municipal Buildings” http://www.ontla.on.ca/Side_bar/visitor_information/out/index.htm

“Annacis Island” http://www.nutrifor.com/annacis.htm

“HMCS Naden” http://home.cogeco.ca/~heart-of-oak/naden/naden.html

Great Fire of London Monument http://www.alan.rowe.freeuk.com/Copyright_Images/pix_n/england/p7101640_e1.jpg

Top of Brock Monument http://www.niagarafrontier.com/image/Ttopbrock.jpg

Old Queen's Cupola http://gsnb.rutgers.edu/images/OldQueensCupola.jpg