Recent Publications


Classical Studies | English and Writing Studies | French Studies & Linguistics | Modern Languages and Literatures | Philosophy | Visual Arts | Women's Studies and Feminist Research


ENGLISH AND WRITING STUDIES

English Studies | Writing Studies | Film Studies | Theatre Studies

MADELINE BASSNETT

  • Women, Food Exchange, and Governance in Early Modern England. London: Palgrave Macmillan, 2016.
  • Pilgrimage. London, ON: Baseline Press, 2016.
    “Indifference,” “Betting the Odds,” “Return,” Prairie Fire 37.3 (Autumn 2016): 31-5.
  • Colony Collapse,” “Cyclic,” Hamilton Arts and Letters 9.2 (2016-17).
  • “Cell Sequencing,” reprinted in In Fine Form 2nd Edition: A Contemporary Look at Canadian Form Poetry, ed. Kate Braid and Sandy Shreve (Vancouver: Caitlin Press,2016), p. 241.
  • “The Secret Life of Crabs,” Grain Magazine 43.1 (2015): 63
  • Madeline Bassnett, “Gifts of Fruit and Marriage Feasts in Mary Wroth’s Urania,” Re-Reading Mary Wroth, ed. Katherine R. Larson and Naomi J. Miller with Andrew Strycharski (New York: Palgrave Macmillan, 2015), 157-168.

DAVID BENTLEY

Books and Parts of Books:

  • “The Short Stories of Alice Laidlaw, 1950-51,” Alice Munro’s Miraculous Art: Critical Essays, ed. Janis Fiamengo and Gerald Lynch, Reappraisals: Canadian Literature (Ottawa: University of Ottawa Press, 2017): 138-57.
  • “The Short Stories of Alice Laidlaw, 1950-51,” Alice Munro’s Miraculous Art: Critical Essays, ed. Janis Fiamengo and Gerald Lynch, Reappraisals: Canadian Literature (Ottawa: University of Ottawa Press, 2017): 138-57.
  • “Dante Gabriel Rossetti,” The Encyclopedia of Victorian Literature, ed. Dino Franco Felluga, Pamela K. Gilbert, and Linda K. Hughes (London: Blackwell Publishing, 2015): 1477-83.
  • “Dante Gabriel Rossetti’s Giotto Painting the Portrait of Dante,” Dante and the Christian Imagination, ed. Domenico Pietropaolo (New York, London, and Toronto: Legas, 2015): 165-82.
  • “The Poetry of the Canoe: William Douw Lighthall’s Songs of the Great Dominion,” Anthologizing Canadian Literature: Theoretical and Cultural Perspectives, ed. Robert Lecker (Waterloo, ON: Wilfrid Laurier University Press, 2015): 79-106.
  • Scribe: Archibald Lampman and Episkopon. A Facsimile Edition, ed. with an Introduction and notes. London: Canadian Poetry Press, 2015. xxxii + 203pp.
  • “British Poets, Classical Myths, Canadian Locations,” The Oxford Handbook of Canadian Literature, ed. Cynthia Sugars (New York: Oxford University Press, 2015): 277-94.
  • “British Poets, Classical Myths, Canadian Locations,” The Oxford Handbook of Canadian Literature, ed. Cynthia Sugars (New York: Oxford University Press, 2015): 277-94.
  • (Part of book) “Dante Gabriel Rossetti,” The Encyclopedia of Victorian Literature, ed. Dino Franco Felluga, Pamela K. Gilbert, and Linda K. Hughes (London: Blackwell Publishing, 2015): 1477-83.
  • (Part of book) “Dante Gabriel Rossetti’s Giotto Painting the Portrait of Dante,” Dante and the Christian Imagination, ed. Domenico Pietropaolo (New York, London, and Toronto: Legas, 2015): 165-82.
  • (Part of book) “The Poetry of the Canoe: William Douw Lighthall’s Songs of the Great Dominion,” Anthologizing Canadian Literature: Theoretical and Cultural Perspectives, ed. Robert Lecker (Waterloo, ON: Wilfrid Laurier University Press, 2015): 79-106.
  • Scribe: Archibald Lampman and Episkopon. A Facsimile Edition, ed. with an Introduction and notes. London: Canadian Poetry Press, 2015. xxxii + 203pp.
  • (Part of book) “British Poets, Classical Myths, Canadian Locations,” The Oxford Handbook of Canadian Literature, ed. Cynthia Sugars (New York: Oxford University Press, 2015): 277-94.
  •  (Part of book) “Canada,” The Fin-de-Siècle World, ed. Michael Saler, Routledge Worlds (London and New York: Routledge, 2015), 213-25.
  • By Necessity and Indirection: Essays on Modernism in Canadian Literature (Ottawa: Tecumseh Press, 2015), 364pp. 
  • (Part of book) “Reflections on the Situation and Study of Canadian Literature in the Long Confederation Period,” Home Ground and Foreign Territory: Essays on Early Canadian Literature, ed. Janice Fiamengo, Reappraisals of Canadian Writers (Ottawa: University of Ottawa Press, 2014): 17-43.
  •  Archibald Lampman, Untitled Fragment of a Novel, ed. with an Introduction and annotations, Post-Confederation Poetry: Texts and Contexts  (London:  Canadian Poetry Press, 2014), xxvi + 54 pp.
  •  (Part of book) “Ted Goodden’s Ridgway Series: Some Aesthetic and Regional Contexts,” (Re)imagining Regionalism, ed. Joel Faflak and Sky Gladbush (London: McIntosh Gallery Curatorial Study Centre, 2014), 85-97, with 4 b/w illustrations.

Articles:

  • “Rummagings 16: Duncan Campbell Scott’s Review of The Ninth Vibration, and Other Stories by L. Adams Beck,” Canadian Poetry: Studies, Documents, Reviews 16 (Spring/Summer 2015): 5-11.
  • “Dante Gabriel Rossetti’s ‘For an Annunciation, Early German’: Einfühlung, Inspiration, and Significance,” Journal of Pre-Raphaelite Studies, NS 24 (Fall 2015): 35-46.
  • “Rummagings 17: The Literary History of Canada and the Literary History of the United States,” Canadian Poetry: Studies, Documents, Reviews 77 (Fall/Winter 2015): 5-8.
  • ‘“Allegoriz[ing] on One’s Own Hook: Dante Gabriel Rossetti’s King Arthur and the Weeping Queen’s,” Pre-Raphaelite Society Newsletter of the United States 43 (Summer 2016): 1, 4, including 1 b/w llustration/
  • “Rummagings, 15: Thomas Cary’s Work for the ‘Peace and Good Order of a Well-Regulated Society’,” Canadian Poetry: Studies, Documents, Reviews 74 (Spring/Summer 2014): 5-11.
  • “Dante Gabriel Rossetti’s The Blue Closet and The Tune of Seven Towers,” Journal of Pre-Raphaelite Studies, NS 23 (Fall 2014): 29-43.

Newspaper:

  • “Op-ed, Civility and Manners,” Gazette (Western University), 7 March 2017    
  • “Op-ed, The Importance of an Arts Education,” Gazette (Western University), 15 September 2015, 6 and numerous Facebook and websites in Canada, the United States, and elsewhere.

Journal:

  • Canadian Poetry: Studies, Documents, Reviews, 78 (Spring/Summer 2016), 124pp. [Special Issue on the Poetry of the Maritimes, Editor: Thomas Hodd]
  • Canadian Poetry: Studies, Documents, Reviews 76 (Spring/Summer 2015), 112pp. __________. 77 (Fall/Winter 2015), 110pp.
  • Canadian Poetry: Studies, Documents, Reviews, 77 (Fall/Winter 2015), 110pp.

NANDI BHATIA

  • “Fantasy Ladies”: Female Performers and Actresses in Qurratulain Hyder’s “The Missing Photograph” Vol 10. 1 (2016). http://journals.iium.edu.my/asiatic/index.php/AJELL/issue/view/34
  • "Provincializing English,” Globalizing Indian English Drama", (Postcolonial Text. Vol. 10, Nos 3 and 4, 2015)
  • "Bollywood Shakespeare." Cambridge Guide to the Worlds of Shakespeare. Cambridge    University Press. (January 2016)
  • "Revisiting the Theatre of the Komagata Maru.” Studies in Canadian Literature.  40.1, 2015: 27-44.

STEVEN BRUHM

  • “The Global Village of the Damned: A Counter-Narrative for the Post-War Child,” Narrative 24.2 (2016): 156-173.
  • “First, Offence”, ESC: English Studies in Canada 41.2-3 (2015): 22-25. /li>

MELANIE CHAMBERS

  • Chambers, M. (2015, September 10) Mountain bike racing puts life on track Toronto Star Retrieved from http://www.thestar.com 
  • Chambers, M. (2015, August 20) Why I started mountain bike racing at age 42 Toronto Star Retrieved from http://www.thestar.com
  • Chambers, M. (2015, April 17) Made-for-the-Movies Destinations Outside Magazine Retrieved from http://www.outsideonline.com

TOM CULL

  • “Like a Bat” and “Trash Fish”, The New Quarterly, Issue 137: A Good Polemic is Hard to Find (2016).

FRANK DAVEY

  • “Constructing ‘Canadian Literature’: A Retrospective.” Cynthia Sugars, ed., The Oxford Handbook of Canadian Literature. New York: Oxford UP, 2016. 17-40.

JULIA EMBERLEY

  • “Autodestruction in Lebanon: The Testimonial Uncanny and the Birth of Knowledge in Walid Raad’s The Atlas Group”, (Topia: Canadian Journal of Cultural Studies. No. 33. 2015: 53-74)
  • "In/Hospitable ‘Aboriginalities’ in Contemporary Indigenous Women’s Writing”. The Oxford Handbook        of Canadian Literature. Forthcoming. Ed. Cynthia Sugars. Oxford: Oxford University Press, 2015.

TERRENCE GREEN

  • “Time Will Tell”. Rampike, 24:1 (2015). 5.
  • Readings Anthologies.” Robert Lecker, ed. Anthologizing Canadian Literature: Theoretical and Cultural Perspectives. Waterloo: Wilfrid Laurier UP, 2016. 271-78.
  • Ashland, Kentucky, Northern Frights: Volume 1, ed. Don Hutchison, (Chizine Publications, October 2015)
  • The Women Who is the Midnight Wind, (Open Road Integrated Media. New York)

DONALD S. HAIR

  • Fresh Strange Music: Elizabeth Barrett Browning’s Language, (Montreal & Kingston: McGill- Queen’s University Press, 2015) 

MICHELLE HARTLEY

  • European Journal of American Studies "Transnational Approaches to North American Regionalism": http://ejas.revues.org/10368 Issue 9.3 (2014).  The title of the article is "Constructing a New Regionality: Daphne Marlatt and Writing the West Coast"

JAMIE JOHNSTON

  • "A 'notable newe Italionisme': Providence, Plague, and the Final Words of the Criminally Condemned in The Unfortunate Traveller." The Criminal Humanities: An Introduction (edited by Michael Arntfield and Marcel Danesi) pgs. 11-36. Peter Lang Publishing Inc. March 2016.
  • Healthcare Writing: A Practical Guide to Professional Success (Broadview, 2016), co-authored with Michael Arntfield.

MANINA JONES

  • Jones, Manina and Neal Ferris. “Flint, Feather, and Other Material Selves: Negotiating the Performance Poetics of E. Pauline Johnson.” American Indian Quarterly. 41.2 (Spring 2017): 125-57.

MJ KIDNIE

  • Co-edited Shakespeare and Textual Studies (Cambridge University Press, November 2015)

JOHN LEONARD

  • John Leonard “The Value of Milton” Cambridge University Press (2016).
  • John Leonard, “Milton, the Long Restoration, and Pope’s Iliad,” in Milton and the Long Restoration, ed. Ann Baynes Coiro and Blair Hoxby, (Oxford: Oxford University Press, 2016), pp. 447-64.

MARY HELEN MCMURRAN

  • Co-editor, Mind, Body, Motion, Matter: Eighteenth-Century British and French Literary Perspectives (University of Toronto Press, 2016)
  • “Rethinking Superstition: Pagan Ritual in Lafitau’s Moeurs des sauvages” in Alison Conway and Mary Helen McMurran, eds., Philosophical Turns: Eighteenth-Century Literature and Thought (University of Toronto Press, 2016)

KATHRYN MOCKLER

Fiction:

  • "The Job Interview: A Murder," Danforth Review, September 10, 2017
  • "Two Women on a Beach," Entropy Magazine, May 10, 2017
  • "Sit Down Beside Megan," Cosmonauts Avenue, 2nd Anniversary Issue, November 15, 2016
  • "All Side Effects, No Relief," Pac'n Heat, Fall 2016
  • "The Estrangement," Room, Issue 39.2, 2016

Poetry:

  • “Some Theories,” a collaboration between David Poolman and Kathryn Mockler, 2017
  • "Children," "I Shit Here," "Date Night," and "The Swap," Dreamland, February 2017
  • "Untitled," 2017 Inaugural Poem, Ed. Stuart Ross, December 8, 2016
  • "The House Fire" and "The Sunburn," Public Pool, USA, August 25, 2016
  • "The Daughter" and "A Laugh," Minola Review: Issue 5, Toronto, ON, July 31, 2016

Reviews:

  • Jonathan Ball, The Winnipeg Free Press, November 25, 2017, reviews my book Some Theories
  • Carl Watts, Canadian Literature, January 5, 2017, reviews my book The Purpose Pitch

RICHARD MOLL

  • “A New Look at an Old Reading: William Shakespeare’s SONNET 18.” Explicator 75.2 (2017): 135-7.
  • “Albion (origin myth).” In The Encyclopedia of Medieval Literature in Britain. Ed. Sîan Echard et al. (Oxford: Wiley-Blackwell, 2017), 35-6.
  • “Heraldic Literature.” In The Encyclopedia of Medieval Literature in Britain Ed. Sîan Echard et al. (Oxford: Wiley-Blackwell, 2017), 993-5.
  • Erica Leighton and Mario Longtin, "‘L’exemple des angres / Þe exempil of angellis’: A French Tract on Heraldry and its Scots Translation," Nottingham Medieval Studies 59 (2015): 113-156.
  • With Erica Leighton and Mario Longtin.  “‘L’exemple des angres / Þe exempil of angellis’: A French tract on heraldry and its Scots translation.”  Nottingham Medieval Studies 59 (2015): 113-156.  (60% contribution)
    With Mario Longtin.  “La farce du Poulier à six personnages (The Farce of the Chicken Coop for Six Characters) BnF Ms. fr. 24341 (ff. 132v-144v).”  Romard 54 (2015): 99-169. (40% contribution)

TAIWO ADETUNJI OSINUBI

  • "An Intellectual History of African Literary Studies." Cambridge Journal of Postcolonial Literary Inquiry 4.2 (2017): 296-306.
  • “Queer Prolepsis and the Sexual Commons: An Introduction.” Research in African Literatures 47. 2 (Summer 2016): vii-xxiii.
  • “Micro-politics of Buttocks: The Queer Intimacies of Chinua Achebe.” Research in African Literatures 47. 2 (Summer 2016): 162-185.
  • “Slavery, Death, and the Village: Localizing Imperatives of Nigerian Writing”. University of Toronto Quarterly, 84.4 (Fall 2015): 131:152
  • Hostile Witnesses and Queer Life in Kenyan Prison Writing. Eastern African Literary and Cultural Studies. (2015): 1- 15

DONNA PENNEE

  • 2017.“Something Invisible Finding a Form: Feeling History in Michael Ondaatje’s Coming Through Slaughter.” Studies in Canadian Literature/ELC 41.2 (2016): 157-76.

ALLAN PERO

 Essay Collection:
  • Co-Editor, The Many Façades of Edith Sitwell (University P of Florida, 2017)  
Chapters:
  • Co-Author, "Introduction"The Many Façades of Edith Sitwell University P of Florida (2017): 1-20.
  • “'Sunshades will usurp their space': Edith Sitwell, Sacheverell Sitwell, and the Dreaming Clowns of Melancholy" The Many Façades of Edith Sitwell. University P of Florida (2017): 75-93.
  • “Dispersed Are We: Voice as Technology in Between the Acts,” Virginia Woolf Miscellany, 85.1 (Spring 2016): 23-25.
  • “Jigging away in nothingness”: Knowledge, Language, and Feminine Jouissance in “Bliss” and “Psychology,” Katherine Mansfield and Psychology, Eds. Clare Hanson, Gerri Kimber, W. Todd Martin. Edinburgh: Edinburgh U P (September 2016): 100-112.
  • “Like Chasing a Scrap of Paper": Hysterical Detection in The Good Soldier," Ford Madox Ford's The Good Soldier, Ed. Rossitsa Terzieva-Artemis Amsterdam: Brill Rodopi (2017): 175-90.

RUSSELL POOLE (Professor Emeritus)

  • 2016. “Pleasure in the gold cup: a skaldic affirmation?” In Frederic Amory in Memoriam. Old Norse-Icelandic studies. Ed. John Lindow and George Clark. Wildcat Canyon Advanced Seminars, Occasional Monographs, 2. Berkeley: Wildcat Canyon Advanced Seminars, 44-68. (Essay)
  • 2016. “Identity Poetics among the Icelandic Skalds.” In New Norse Studies. Essays on the Literature and Culture of Medieval Scandinavia. Islandica 58. Ed. Jeff Turco. Ithaca: Cornell University Press. Pp. 143-84. (Article)
  • 2016. Viking and Medieval Scandinavia 11 (2015). (Edited journal)
  • 2015. Egil, the Viking Poet. New approaches to Egil’s Saga. Ed. L. De Looze, Jón K. Helgason, R. Poole, and Torfi H. Tulinius. Toronto: University of Toronto Press. (Co-edited book)
  • 2015. “Egil, the Viking Poet. New approaches to Egil’s Saga.” In Egil, the Viking Poet. New approaches to Egil’s Saga. Ed. L. De Looze, Jón K. Helgason, R. Poole, and Torfi H. Tulinius. Toronto: University of Toronto Press, 3-20. (Essay)
  • Viking and Medieval Scandinavia 10 (2014). (Edited journal)
  • “Autobiographical Memory in medieval Scandinavia and amongst the Kievan Rus’.” In Minni and Muninn. Memory in Medieval Nordic Culture. Ed. Pernille Hermann, Agnes Arnórsdóttir, and Stephen Mitchell. Turnholt: Brepols. Pp. 109-29.
  • “Gunnlaugr Leifsson’s uses in Merlínússpá of twelfth-century English sources additional to the De gestis Britonum of Geoffrey of Monmouth”, in Eddic, Skaldic, and Beyond: Poetic Variety in Medieval
  • Iceland and Norway, ed. Martin Chase. New York: Fordham University Press. Pp. 16-30.

JAN PLUG

  • Book translation (forthcoming January 2018) Of Stigmatology: Punctuation as Experience, by Peter Szendy (Fordham University Press, 2018).
  • Plug, Jan. “They Have All Been Healed: Reading Robert Walser” Northwestern University Press. 2016.

JAMES PURKIS

  • Purkis, James. Shakespeare and Manuscript Drama Canon, Collaboration and Text. Cambridge University Press. June 2016.

TILOTTAMA RAJAN

Books:

  • William Godwin, Mandeville: A Tale of the Seventeenth Century in England. Peterborough: Broadview Press, 2015. Pp. 526. [includes Introduction of 36pp., notes, appendices]

Special Issues edited:

  • (ed. with Sean J. McGrath), “Schelling After Theory,”  Symposium: Canadian Journal of Continental Philosophy 19:1 (2015): 1-197.

Articles in Journals and Book Collections:

  • (ed.). Romanticism and the Rights of the Negative. Special issue of Romantic Praxis (June 2017). 
  • 
“Sophia Lee’s Baroque Narratology: The Recess and the (Dis)simulation of the Real.” Narratives of Romanticism. Ed. Sandra Heinen and Katharina Rennhak. Trier: Wisssenchsftlicher Verlag, 2017. 123-35.

  • “‘Something Not Yet Made Good’: The Tropology of the Negative in Godwin’s Mandeville.” Romanticism and the Rights of the Negative. Ed. Tilottama Rajan, Special issue of Romantic Praxis (June 2017). [25 paragraphs; 8012 words].

  • “Introduction.” Romanticism and the Rights of the Negative. Ed. Tilottama Rajan, Special issue of Romantic Praxis (2017). [9 paragraphs; 3309 words]
  • "Evolution and its Resistances: Transferences Between Disciplines in Hegel's and Schelling's Systems." Symposium: Canadian Journal of Continental Philosophy 19:1 (2015): 153-175.
  • (with Sean J. McGrath), “Introduction: Schelling After Theory.” Symposium: Canadian Journal of Continental Philosophy 19:1 (2015): 1-12.
  • "Blake’s Body Without Organs: The Autogenesis of the System in the Lambeth Books.” European Romantic Review 26:3 (2015): 357-66.
  • "Smooth and Tangled Systems: Philosophy as Metadiscipline in German Idealism.” Romanticism and the Philosophical Tradition. Ed. Thomas Constantinesco and Sophie Laniel-Musitelli. Presses Universitaires de Nancy, 2015. 19-43.
  • "Smooth and Tangled Systems: Philosophy as Metadiscipline in German Idealism.” Romanticism and Knowledge. Ed. Stefanie Fricke, Felicitas Meifert-Meinhard, Katharina Pink. Trier: Wisssenchsftlicher Verlag, 2015. 37-54. 
  • "The Gothic Matrix: Shelley Between the Symbolic and Romantic.” Percy Shelley and the Delimitation of the Gothic. Ed. David Brookshire. Romantic Praxis (November 2015). [27 paragraphs; 8263 words].
  • "Unspacing: The Architecture of Poetry in Shelley’s Alastor and Keats’ The Fall of Hyperion.” SEL: Studies in English Literature 55:4 (2015): 787-816.
  • "Models for Systems in Idealist Encyclopedics: The Circle, the Line and The Body.” Romantic Systems. Ed. Mark Canuel. Romantic Praxis (March 2016). [44 paragraphs; 15,120 words]

JOSHUA SCHUSTER

  • The Ecology of Modernism: American Environments and Avant–Garde Poetics (University of Alabama Press, October 15 2015).

ANN SCHURRMAN

  • Pity and Poetics in Chaucer’s Legend of Good Women” PMLA, Volume 130, Number 5, October 2015, pp. 1302–1317 (16).

PETER SCHWENGER

  • “Asemic Writing: Backwards into the Future” Marshall McLuhan and Vilém Flusser’s Communication and Aesthetic Theories Revisited, ed. Melentie Pandilovski and Tom Kohut (Winnipeg: Videopool, 2015). 183-202

NIDHI SHRIVASTAVA

  • eds.) Bridging the Gaps Between Celebrity and Media, Waterhill Publishing. February 2016
  • “The Power of Celebrity Culture and its Response to Rape and Sexual Violence against Women in Post- 2012 India.” Bridging the Gaps Between Celebrity and Media, Waterhill Publishing. (February 2016)

KIM SOLGA

  • Theatre & Feminism Kim Solga, Palgrave Macmillan, October 2015. 
  • “Taking the Measure of Nuit Blanche”, Canadian Theatre Review (issue 163, Summer 2015).
  • “Beatrice Joanna and the Rhetoric of Rape.” Vanguard Performance Beyond Left and Right. Ed. Kimberly Jannarone. Ann Arbor: U Michigan P, 2015. (Refereed)
  • “Playing The Changeling Architecturally.” Performing Environments: Site Specificity in Medieval & Early Modern English Drama. Ed. Susan Bennett and Mary Polito. Basingstoke: Palgrave, 2014. 56-76. (Refereed)
  • “Meet Me at the Border: Theatre Replacement’s BIOBOXES.” Theatres of Affect. Ed. Erin Hurley. Toronto: Playwrights Canada, 2014. 171-91. (Not refereed)
  • “What Are You Reading?” Invited Review Essay. Featuring reviews of Crary, 24/7; Berlant, Cruel Optimism, and Harvie, Fair Play. Theatre Survey 55.3 (2014): 393-7.
  • “What Feminists Do Ruff.” Rev. of Ruff, by Peggy Shaw and Lois Weaver. Performance Research 18.6 (2014): 135-7.

BRYCE TRAISTER

  • Female Piety and the Invention of American Puritanism, (Columbus: Ohio State University Press, 2016)

ANDREW WENAUS

  • “Babelian Act of Fecundity.” James Joyce Quarterly. Forthcoming. (2018).
  • “‘Zero, zero, and zero’: Beckett’s Endgame, Automation, and Zero-Player Games.” Chiasma 4. (2017): 74-103.  
  • “Mechanized Bodies, Human and Heavenly: Melancholia and Thinking Extinction.” ESC: English Studies in Canada 42.1. (2016): 133-163.
  • Wenaus, Andrew. "Satire, Anxiety, and Prospect in The Caterer." Steve Aylett: A Critical Anthology. Ed. Bill Ectric and D. Harlan Wilson, Sein und Werden, 2016, pp. 85-106.
  • Wenaus, Andrew. "Built for Man's Absence: The Speculative Turn and J.G. Ballard's Extro-Science Fiction." Deep Ends: The J.G. Ballard Anthology 2016. Ed. Rick McGrath, The Terminal Press, 2016, pp. 188-195.
  • monstrorum artifex: Uncanny Narrative Contexture and Narcissism in Oscar Wilde’s The Picture of Dorian Gray.”  The Irish Journal of Gothic and Horror Studies. Issue 13 (2014): 57-76.
  • Anxiety in Stereo: Les Baxter’s Space Escapade, Armchair Tourism, Polar Inertia, and Being-in-a-World.”  Journal of Popular Music Studies 26.4 (2014): 488-506.

Book review:


FILM STUDIES

JANELLE BLANKENSHIP

  • European Visions: Small Cinemas in Transition (Bielefeld: Transcript Verlag, June 2015), co-edited with Tobias Nagl , 416 pp.
  • “Towards a Politics of Scale,” with Tobias Nagl, in Janelle Blankenship and Tobias Nagl, eds. European Visions: Small Cinemas in Transition (Bielefeld: Transcript Verlag, 2015), 9-40.
  • “Veit Helmer’s Tuvalu, Cinema Babel and the (Dis)Location of Europe,” with Tobias Nagl, in Janelle Blankenship and Tobias Nagl, eds. European Visions: Small Cinemas in Transition (Bielefeld: Transcript Verlag, 2015), 333-348.
  • “The Archival Impulse and the Digitization of European Film History: The European Film Gateway Project,” with Thomas Ballhausen in Janelle Blankenship and Tobias Nagl ed. European Visions: Small Cinemas in Transition (Bielefeld: Transcript, 2015), 151-172.

JANINA FALKOWSKA

Books Edited:

  • Small cinemas in Global Markets. Genres, Identities, Narratives. Eds. Lenuta Giukin, Janina Falkowska, David Desser, Lanham, Maryland: Lexington Books, 2015.

Chapters in Books:

  • “Small Cinemas within a Big Cinema: The Cinema of the Abject and the Cinema of Capitalist Fantasy in Poland.” In European Visions. Small Cinemas in Transition ed. By Janelle Blankenship and Tobias Nagl, Bielefeld: Transcript Verlag, 2015.

Articles in Refereed Journals:

  • “Pocalunek smierci. Przestrzen Pozakadrowa w filmach Michaela Haneke, Andrieja Sokurowa oraz Andrzeja Wajdy.” Kwartalnik Filmowy 87-88 (2014), Rocznik: XXXVI (jesień-zima 2014)
  • Film i teatr. Wydawca: Instytut Sztuki PAN, Stowarzyszenie Liber Pro Arte
  • PL ISSN 0452-9502 Indeks 336246, 217-232.
  • “Michael Haneke. Mourning and Melancholia in European Cinema” in “Media-Kultura-Komunikacja Spoleczna” (Media-Culture-Social Communication) Olsztyn. University Warmińsko-Mazurski, Poland, 2015.
  • The voices of death in Andrzej Wajda’s film Tatarak (Sweet Rush, 2009) In Studies in European Cinema, Eds. Owen Evans and Graeme Harper, Intellect Ltd., Francis and Taylor online2015. DOI: 10.1080/17411548.2015.1065107

TOBIAS NAGL

Books:

  • European Visions: Small Cinemas in Transition (Bielefeld: Transcript, 2015), co-edited with Janelle Blankenship

Chapters in books:

  • "The Afterlife of Stuart Hall. Why Hall?," in Dagmar Brunow (ed.), Stuart Hall: Aktivismus, Pop und Politik (Mainz: Ventil Verlag, 2015).
  • "Introduction: Towards a Politics of Scale" (with Janelle Blankenship) in: Janelle Blankenship and Tobias Nagl, (eds.), European Visions: Small Cinemas in Transition (Bielefeld: Transcript, 2015)
  • "Veit Helmer's Tuvalu, Cinema Babel and the (Dis-)Location of Europe" (with Janelle Blankenship), in: Janelle Blankenship and Tobias Nagl, (eds.), European Visions: Small Cinemas in Transition (Bielefeld: Transcript, 2015)
  • "Policing Race: Postcolonial Critique, Censorship and Regulatory Responses to the Cinema in Weimar Film Culture," in: Malte Hagener (ed.), The Emergence of Film Culture: Knowlege Production, Institution Building, and the Fate of the Avant-garde in Europe, 1919-1945 (Oxford/New York: Berghahn, 2014)